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Bacharach, Britney and Acid Techno Bangers: The Evolving Compositional Practice of Honeysmack

thesis
posted on 17.05.2021, 02:33 by DAVID BERNARD HABERFELD
The research investigates a range of approaches to real-time compositional practices engaged in the Electronic Dance Music sub-genre known as Acid. Specifically it explores how the creation of Acid is effectively assembled through interfacing and combining performance and recording platforms, while being informed by the stylistic characteristics of this established sub-genre. The project investigates the nature and evolution of my own compositional Acid practice under the name ‘Honeysmack’, examining the use of electronic instruments and technologies associated with EDM

History

Principal supervisor

Catherine Hope

Additional supervisor 1

Philip Brophy

Year of Award

2021

Department, School or Centre

Sir Zelman Cowen School of Music

Course

Doctor of Philosophy (Music Composition)

Degree Type

DOCTORATE

Campus location

Australia

Faculty

Faculty of Arts