AS
Colloquy, issue 22 (2011)
Published on by Aisling Smith
GENERAL ARTICLES
Fearful Symmetry: Technophilia and the Science Fiction Cyborg in J. G. Ballard’s and David Cronenberg’s Crash
By Sean McQueen
COLLABORATIONS IN MODERN AND POSTMODERN VISUAL ART
Introduction: Love and Pain and the Whole Damn Thing: Collaboration as Biography
By Janine Burke
Collaborations in Modern and Postmodern Visual Art: An Overview
By Lynda Chapple
Retrospective
By Lyndell Brown and Charles Green
Two Homes
By Kate Daw and Stewart Russell
“There must be a salon of realists…”: Action and Collaboration in Edgar Degas’ Avant-gardism
By Roberta Crisci-Richardson
Monet’s “Angel”: The Artistic Partnership of Claude Monet and Blanche Hoschedé-Monet
By Janine Burke
Picasso and Stravinsky: Notes on the Road from Friendship to Collaboration
By Carina Nandlal
The Spirit of Collaboration: Gino Severini, Jacques Maritain, Anton Luigi Gajoni and the Roman Mosaicists
By Justine Grace
From Tenth Street to Studio 54: On the Social Life of Creatives
By Eduardo de la Fuente
Combination, Collaboration and Creation: The Case of Jasper Johns
By Peter Murphy
Human and Non-Human Telepathic Collaborations from Fluxus to Now
By Jacquelene Drinkall
A Collaborative Effort: How Collaboration and Collectivism in Australia in the Seventies Helped Transform Art into the Contemporary Era
By Susan Rothnie
Performance Art Collaborations (with Notes on Video, Installation and Conceptual Art)
By Anne Marsh
The Emergence of Black Art in Britain
By Leslie Morgan
Artistic Tension
By Adrian Martin
Working (with) the Dead: Agency and its Absence in the Use of the Found Image
By Andrew Dearman
Meridians: Engagement and Collaboration in Physical and Virtual Public Space
By Clare Leporati
Collaborative Viewpoints: The Writing of Impossible Descriptions
By Ann Schilo and Anna Sabadini
TRANSLATION
Three Spanish Golden Age Sonnets
By Jorge Salavert
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