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Visualising the invisible

thesis
posted on 2022-11-22, 22:34 authored by Belinda Bassin

An investigation into the performative, ethereal, circulatory and biomorphic forms, their visual surfaces and the disruption to temporal or expected formats within artistic practices in visualising the invisible. Also discussing my own artwork, with particular reference to two separate projects, Feminine | Masculine (2013) and Glass (2016). Artists and ideas from the late 19th century to contemporary practitioners whose works are biomorphic and border on the theatrical. This paper discusses experimental performative practices and the temporalities of form, through Biomorphism, Dada, Gutai, Morphic Resonance and relational works.

History

Campus location

Australia

Principal supervisor

Kathlin Temin

Year of Award

2016

Department, School or Centre

Fine Art

Course

Master of Philosophy

Degree Type

MASTERS

Faculty

Faculty of Art, Design and Architecture

File Name

BelleBassin_Exegesis_MFA.pdf

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