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Visualising the invisible
An investigation into the performative, ethereal, circulatory and biomorphic forms, their visual surfaces and the disruption to temporal or expected formats within artistic practices in visualising the invisible. Also discussing my own artwork, with particular reference to two separate projects, Feminine | Masculine (2013) and Glass (2016). Artists and ideas from the late 19th century to contemporary practitioners whose works are biomorphic and border on the theatrical. This paper discusses experimental performative practices and the temporalities of form, through Biomorphism, Dada, Gutai, Morphic Resonance and relational works.
