File(s) under permanent embargo

Reason: Under embargo until May 2019. After this date a copy can be supplied under Section 51(2) of the Australian Copyright Act 1968 by submitting a document delivery request through your library or by emailing document.delivery@monash.edu

Then Daddy Takes His Place in an Australian Landscape

thesis
posted on 18.05.2020, 06:08 by ERIN GAYLE CROUCH
This writing accompanies a 62 minute, single channel, digital film work also titled Then Daddy Takes His Place in an Australian Landscape. The research considers themes of loss and disorientation in the above film and the film practice of Belgian filmmaker Chantal Akerman. Formally, the following writing interweaves critical engagements with Akerman’s films including No Home Movie (2015), Jeanne Dielman, 23 Commerce Quay, 1080 Brussels(1975), Là Bas (2006), with personal stories and reflective writings, pre-production character treatments, editing notes, and interview transcripts. Selected writings by Jacques Derrida, Sarah Ahmed, Catherine Malabou and Maggie Nelson are also referenced to consider fragilities, multiplicities and displacements and narrative exchanges within the research.

History

Campus location

Australia

Principal supervisor

Fiona MacDonald

Additional supervisor 1

Jan Bryant

Year of Award

2018

Department, School or Centre

Fine Art

Course

Master of Fine Art

Degree Type

MPHIL

Faculty

Faculty of Art, Design and Architecture

Usage metrics

Categories

Exports