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The melting mosh pi/ot: extreme music performance in early 2010s multi-ethnic Malaysia
thesis
posted on 23.02.2017, 23:48 by Ferrarese, MarcoThis thesis examines the construction and negotiation of ‘authentic’ extreme music identities in early 2010s Malaysia, a multi-ethnic, multi-religious and fast developing Southeast Asian society.
First, it demonstrates that extreme music performance in Malaysia references to globally authenticated models of metal and punk. Second, it establishes that the construction of Malaysian extreme music identity is influenced by pre-existing ethnic markers that contribute to forming ‘sedimented hybrid’, multi-layered identities.
This thesis concludes that early 2010s Malaysian extreme music provides an accessible social space where inter-ethnic solidarity and discourses are promoted at the grassroots level.
History
Principal supervisor
Seng Guan YeohYear of Award
2016Department, School or Centre
School of Arts and Social Sciences (Monash University Malaysia)Course
Doctor of PhilosophyDegree Type
DOCTORATECampus location
AustraliaFaculty
Faculty of ArtsUsage metrics
Categories
Keywords
Subculturesmonash:1729681959.1/1278704thesis(doctorate)Malaysian popular musicAsian popular musicRestricted accessGlocalizationSoutheast Asian subculturesHibridityMalaysian heavy metalGlobalization of popular music in Southeast AsiaSedimented hibridityModernity in MalaysiaGlobalization of popular music2016Malaysian punkethesis-20160627-111624