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Nimble Curating: A Non-Institutional Actor-Centred Methodology of Curatorial Practice

thesis
posted on 2025-07-28, 23:27 authored by Marita Batna
Developed through practice-led research, this exegesis contributes a new methodology to the growing field of curatorial practice called the Nimble Curating Methodology, which is framed by non-institutional and actor-centred approaches. This proposition challenges art curatorial processes by facilitating interactions and relationships among Actors, within a mutually interdependent framework of Locality (Island), Artists, Audience, and Curator. Nimble Curating recognises how curatorial processes adapt and respond to the changing, evolving circumstances of Actors, both internally and externally. The research argues that by emphasising relationships, solidarities, and empowerment through the lens of Actors’ practice, holistic and contextual understandings of the creative process emerge as distinct from a more conventional focus on the production and presentation of work. The exegesis includes a detailed description of the Nimble Curating methodology, including elements, processes, methods and guidelines.

History

Campus location

Australia

Principal supervisor

Desiree Ibinarriaga

Additional supervisor 1

Vince Dziekan

Year of Award

2025

Department, School or Centre

Design

Course

Doctor of Philosophy

Degree Type

DOCTORATE

Faculty

Faculty of Art, Design and Architecture

Rights Statement

The author retains copyright of this thesis. It must only be used for personal non-commercial research, education and study. It must not be used for any other purposes and may not be transmitted or shared with others without prior permission. For further terms use the In Copyright link under the License field.

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