posted on 2017-09-18, 01:48authored byChristopher Leslie Gowens Hill
The project Freedom
and Association is a flexible, fluid, and personal investment in practice that
loosens forms of language and opens up structures of value that cohere onto
words and objects.
The non-fixed, process-based nature of the practical
component of the research is extended in an understanding of post anarchism -
as an ongoing, lived experience of the everyday and of friendship. I define
anarchism as the rejection of dominant power structures and as pertaining to
shifts in the formal and cultural values in creative writing and art. Post
anarchism extends on this as an anarchism practiced in everyday interactions.
Social values signified in the ‘made’ and ‘bought’ are
challenged through the practical component of the research, utilising scatter
installations to question how an object’s financial value can subjectively
shift. Formal and emotional relationships with materials are challenged through
the use of discarded commercial goods and tools acquired from multiple sources,
as well as the giving away, rather than selling, of artworks. In poetry the
practical research also aims to loosen the values of words, liberating them
from formal sentence structures in free associative messes, or extended
graffiti. Does poetry in the context of my practice operate as art? Is graffiti
poetry? Are scatter installations a poetry of objects?
The research engages post anarchism as a flexible way for
living, rather than anarchy as a utopian political ideal. I explore post
anarchism as a tactic for resistance, but also a tactic for creative freedom
within art practice. Within contemporary art practice it is near impossible not
to participate in neoliberalism, but harnessing various tactics to cope with or
challenge structures of power can create at least some sense of freedom, as
fleeting or momentary as it may be.