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Anzac Spaces: the Role of Audience and Space in the Creation and Recreation of Anzac

thesis
posted on 11.12.2017, 22:14 by MARGARET MEGAN CROSS HARRIS
A thesis using new methods to explain how the Anzac myth can be used by so people across time and space. Uses historical case studies to demonstrate that Anzac is actually a negotiation. While they are constrained by tradition, speakers and audiences suggest and modify the meaning of each narrative of Anzac in order to make it meaningful for them.

History

Principal supervisor

Bruce Scates

Additional supervisor 1

Ernest Koh

Year of Award

2017

Department, School or Centre

Historical Studies

Course

Doctor of Philosophy

Degree Type

DOCTORATE

Faculty

Faculty of Arts

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