After Blue Marble: Affirmation, rhythm and pathos

After Blue Marble: Affirmation, rhythm and pathos starts from the question: How can we create images of life in the Anthropocene? the research developed as an exploration questioning the dominant taxonomies that propagate binary separations of nature and culture, which hide or suppress the relations between phenomena. In this research, I establish a series of paradigms including concepts of queering and wildness, Indigenous knowledges, plant and fungal life, and politics and viral matter, that open up modes of thinking about what life is, and provide platforms for the artworks, allowing movements and world views within the works to be imagined.