posted on 2017-05-23, 00:31authored byRosalind McFarlane
Divided into ten sections, each with three to eight poems, Stu Hatton’s glitching at first appears to be a collection that is quite divided. However, the thematic differences begin to complement each other in what seems to be an accidental and haphazard way, but is instead a deliberate invitation to the reader to consider how errors, transformations and strange pairings form partial and hesitant, but nonetheless fascinating, ways to connect.