10.4225/03/58a675fb6b337
McRae, Donna Leanne
Donna Leanne
McRae
Projecting phantasy: the spectre in cinema
Monash University
2017
monash:85452
ethesis-20120619-082050
Cinematic ghosts
1959.1/573503
Open access
thesis(doctorate)
2012
2017-02-17 04:03:03
Thesis
https://bridges.monash.edu/articles/thesis/Projecting_phantasy_the_spectre_in_cinema/4664482
This research project explores various ghosts of cinema. The studio component is a feature film Johnny Ghost (76 minutes, B&W, 2011) which explores ‘cryptic incorporation’, in which grieving is left incomplete. The lead character, Millicent, is a professional musician who lectures in music at a university. She is also a recovering alcoholic who has a commemorative tattoo stretching across her shoulder. When she finally decides to remove it, she encounters ghosts of her post-punk past who won’t let her move on.
In the accompanying exegesis, other types of cinematic ghost are considered; from the spectral beings engineered to thrill us with fear to the ghosts of memory and regret, and the ethereal emanations that film itself inevitably contains. I argue that the experience of watching a long dead actor enacting a supernatural narrative on the screen is strangely ironic, given that the actors themselves fit the exact definition of a ghost.